
(If only she could think of some way to change things.) In the hands of director Peter Flynn, fresh from his wry and whimsical Into The Woods at Ford’s Theatre, everyone should find joy, if not magic, at Olney.

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visit Matilda - Photo: Stan BarouhĪdapted by Dennis Kelly from Roald Dahl’s book, the award-winning show, with music and lyrics by Tim Minchin, centers on a precocious young girl discovering her magical powers while also coming to the realization that ours is a cruel world full of dastardly people. Lynn Sharp Spears directs Aubri O’Connor, Rebecca Ellis, and Matty Griffith in the production. Not one to hold back, Ida has opinions about what happened to neglected painter Gwen John, who becomes her case in point when she asks Jack for a break. Nu Sass Productions and Uncle Funsy team up to present the world-premiere of a play about two of history’s forgotten heroines, penned by David S. GWEN & IDA: THE OBJECT IS OF NO IMPORTANCE The Object is of NoImportance - Photo: Tony Hitchcock ħ5% of Gay People Find Open Marriages “Acceptable” Fringe Festival passes not applicable to this production.

Tickets are $35 for each theatergoer’s first performance, $20 for any subsequent performance. The Cradle in Arena Stage’s Mead Center for American Theater, 1101 6th St. History textbook his teacher at his rural Maine high school taught from 25 years ago.įlipping back and forth between the two helps Daisey, according to the promotional material, “confront the legacy of our nation, our complicity, our responsibility, and the future.” Daisey’s work tells a tale of two American histories, taking its title from Howard Zinn’s decades-old but still eye-opening account A People’s History of the United States. The arguments he’s making about American history - and particularly what the average American wasn’t taught and doesn’t know on the subject - amount to a 30-hour production. Rather than perform just one show as part of his new partnership with Fringe, the provocative stage monologist, known to Woolly Mammoth audiences for 2016’s The Trump Card and 2011’s The Agony and Ecstasy of Steve Jobs, will be performing 18 full-length monologues, nearly one per show during the production’s 21-date run.

Mike Daisey is kicking off the Capital Fringe festival a few days early and in spectacular style. Capital Fringe Festival: A People’s History - Ursa Waz
